Exhibition09.04.200924.05.2009
OFF-SITE
PAST EXHIBITION

Sofia Hultén

Drawn Onward

Exhibition09.04.200924.05.2009
OFF-SITE
PAST EXHIBITION

Sofia Hultén

Drawn Onward

Off-site Project
Perrott’s Folly, Waterworks Road, Edgbaston, Birmingham

Sofia Hultén is preoccupied with the ‘extended object’ – the transformative potential of matter and the possible actions that occur through it. She imagines the way things could be, or might have been, and the processes involved, often pushing them to their physical limits until broken down. At the same time she is concerned with the possibility of reversing events, ‘restoring’ objects by reconfiguring their materials into new versions of themselves. In going against the grain – of time, or material – Hultén performs subtle acts of resistance and subversion.

The imaginative realms of science fiction and popular science often provide Hultén with inspiration for her work. Time loops, chain reactions, genealogy and notions of parallel worlds all feature, though the artist continually plays off the natural laws of the world as we know it. A recent work Mutual Annihilation (2008) involved the restoration of a battered old chest to its original state and back again, with video tracing the various stages of its metamorphosis. For Perrott’s Folly Hultén creates a site-specific installation, again dealing with restoration and reconstruction, focusing on details of this remarkable 18th century building, one of Birmingham’s most historic landmarks.

A colour publication accompanies the project, co-published with Künstlerhaus Bremen and available from Ikon Shop priced £12.

www.perrottsfolly.co.uk

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Exhibition31.01.200718.03.2007
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Sofia Hultén
Familiars
Familiars by Sofia Hultén, presented a series of absurd scenarios involving members of the artist’s family, devising menacing situations intended to frighten and unnerve each other. Using a variety of materials such as soft toys, tools and clothing, the individuals assume the form of terrifying characters, turning themselves back to front or mimicking the activity of poltergeists.  Only the meticulous preparations and anticipation of terror or accident can be seen, each piece ending before its inferred conclusion. In one scene, we see the artist stacking chairs up to the ceiling, loosening a light bulb and placing it carefully on the floor. She then hides away in mischievous wait for an unsuspecting relative.
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